1 00:00:03,000 --> 00:00:06,000 ♪ ♪ 2 00:00:32,000 --> 00:00:38,000 ♪ ♪ (engine rumbling) 3 00:00:43,000 --> 00:00:46,000 (tires screeching) 4 00:00:50,000 --> 00:00:52,000 Another runner. Did you get a plate? 5 00:00:52,000 --> 00:00:54,000 Are you kidding me? 6 00:00:54,000 --> 00:00:55,000 Total disrespect. 7 00:00:55,000 --> 00:00:56,000 Don't these idiots get it? 8 00:00:56,000 --> 00:00:58,000 If you're going to roll, you pay the toll. 9 00:00:58,000 --> 00:01:00,000 Well, if we don't catch them, the camera will. 10 00:01:15,000 --> 00:01:17,000 WOMAN IN CAR: Stop, you're hurting me. 11 00:01:17,000 --> 00:01:19,000 (engine roars) What about your change? 12 00:01:28,000 --> 00:01:30,000 Oh, my God. 13 00:01:30,000 --> 00:01:31,000 What is it? 14 00:01:36,000 --> 00:01:38,000 I'm calling the police. 15 00:01:50,000 --> 00:01:52,000 (indistinct police radio transmission) 16 00:01:57,000 --> 00:01:59,000 Tollbooth witness couldn't see the driver. 17 00:01:59,000 --> 00:02:01,000 Said the car was charcoal gray. 18 00:02:01,000 --> 00:02:03,000 What about the passenger? 19 00:02:03,000 --> 00:02:05,000 Nothing, except she was female. 20 00:02:05,000 --> 00:02:07,000 Female, no hard ID. 21 00:02:07,000 --> 00:02:08,000 Our mystery girl did leave us this. 22 00:02:08,000 --> 00:02:11,000 Looks like blood. 23 00:02:11,000 --> 00:02:14,000 CAINE: "He's going to kill me!" 24 00:02:14,000 --> 00:02:16,000 Think it's a prank? 25 00:02:16,000 --> 00:02:18,000 No such luck, Frank. 26 00:02:22,000 --> 00:02:53,000 ♪ Yeah! ♪ Captioning sponsored by\h CBS C.S.I. PRODUCTIONS ♪ We don't get fooled again ♪ ♪ Don't get fooled again ♪ ♪ No, no! ♪ 27 00:03:06,000 --> 00:03:09,000 ♪ ♪ 28 00:03:12,000 --> 00:03:15,000 (indistinct police radio transmission) 29 00:03:34,000 --> 00:03:37,000 ♪ ♪ 30 00:04:09,000 --> 00:04:11,000 What did Hemotrace say? 31 00:04:11,000 --> 00:04:12,000 Blood's human. 32 00:04:12,000 --> 00:04:14,000 Dispatch says you wanted the AV equipment. 33 00:04:14,000 --> 00:04:16,000 Let's check the cameras in these booths. 34 00:04:16,000 --> 00:04:18,000 They may have something. 35 00:04:18,000 --> 00:04:20,000 If I find something, where you going to be? 36 00:04:20,000 --> 00:04:22,000 We just found a body, right down this road. 37 00:04:50,000 --> 00:04:53,000 Powdery substance on her leg. 38 00:04:53,000 --> 00:04:55,000 Could be soil. 39 00:04:55,000 --> 00:04:57,000 Doesn't look like it's from around here. 40 00:04:57,000 --> 00:04:59,000 Who found the body? 41 00:04:59,000 --> 00:05:01,000 Jet skier. Taking a break. 42 00:05:01,000 --> 00:05:05,000 Horatio, she was definitely restrained. 43 00:05:05,000 --> 00:05:08,000 Marks are parallel. 44 00:05:08,000 --> 00:05:09,000 Looks like something rigid. 45 00:05:09,000 --> 00:05:12,000 Maybe from handcuffs. What about those nails, Alexx? 46 00:05:12,000 --> 00:05:15,000 Broken, worn down. 47 00:05:15,000 --> 00:05:16,000 Could be acrylic. 48 00:05:16,000 --> 00:05:19,000 Wherever she was, she tried to claw her way out. 49 00:05:22,000 --> 00:05:28,000 (screams) CAINE: I.D. 50 00:05:28,000 --> 00:05:29,000 Miss Leslie Anderson. 51 00:05:31,000 --> 00:05:32,000 Pretty girl. 52 00:05:34,000 --> 00:05:36,000 Think she's the one from the tollbooth? 53 00:05:36,000 --> 00:05:37,000 Could be. 54 00:05:42,000 --> 00:05:44,000 (indistinct police radio transmission) 55 00:05:49,000 --> 00:05:50,000 WOLFE: Hi. 56 00:05:50,000 --> 00:05:52,000 This the surveillance video? 57 00:05:52,000 --> 00:05:54,000 Yeah, it was downloaded from the tollbooth. 58 00:05:54,000 --> 00:05:56,000 Okay, here's where the car comes in. 59 00:05:56,000 --> 00:05:59,000 WOLFE: The passenger compartment's no good at this angle. 60 00:05:59,000 --> 00:06:00,000 You get a plate? 61 00:06:01,000 --> 00:06:03,000 It doesn't make any sense. 62 00:06:03,000 --> 00:06:06,000 The numbers are distorted, but the car is in focus. 63 00:06:06,000 --> 00:06:10,000 They got a PhotoShield; people use them to beat overhead cameras at traffic lights. 64 00:06:10,000 --> 00:06:13,000 But I can't make out anything. 65 00:06:13,000 --> 00:06:15,000 Well, it's transparent; it uses a thin diffusion lens. 66 00:06:15,000 --> 00:06:22,000 Light at an oblique angle causes the cover \h to reflect and refract. 67 00:06:24,000 --> 00:06:27,000 It makes it impossible to read unless you're directly behind it. 68 00:06:27,000 --> 00:06:31,000 DUQUESNE: So somebody really wanted this car to be anonymous. 69 00:06:31,000 --> 00:06:32,000 This missing girl's in a lot of trouble, huh? 70 00:06:32,000 --> 00:06:34,000 Yeah. 71 00:06:34,000 --> 00:06:35,000 You got another angle? 72 00:06:35,000 --> 00:06:40,000 It's hard to see the driver because there's sunlight reflected off the windshield. 73 00:06:40,000 --> 00:06:43,000 There's something under the wiper blade. 74 00:06:44,000 --> 00:06:45,000 WOLFE: It's a valet stub. 75 00:06:45,000 --> 00:06:48,000 Those numbers or that logo could help us find the neighborhood. 76 00:06:48,000 --> 00:06:50,000 You know what? 77 00:06:50,000 --> 00:06:53,000 Let's see if we can take a better look at the passenger. 78 00:06:53,000 --> 00:06:57,000 All right, so this is where she hands the bloody bill to the witness. 79 00:06:57,000 --> 00:06:59,000 Wait a minute. 80 00:06:59,000 --> 00:07:01,000 Check out her arm. It's ligature marks. 81 00:07:01,000 --> 00:07:03,000 Oh, yeah, look at the bruising. 82 00:07:03,000 --> 00:07:07,000 Horatio said that the victim at the jetty had the same thing. 83 00:07:11,000 --> 00:07:15,000 (elevator bell dings) Horatio. 84 00:07:15,000 --> 00:07:20,000 I finished the post from our vic on the rocks, Leslie Anderson. 85 00:07:20,000 --> 00:07:22,000 She had a broken frenulum. 86 00:07:24,000 --> 00:07:26,000 So she was suffocated. 87 00:07:26,000 --> 00:07:30,000 I also did a photo comparison with the girl from the car and our vic. 88 00:07:30,000 --> 00:07:32,000 Ligature marks are consistent. 89 00:07:32,000 --> 00:07:36,000 The bottom line, Alexx: they were attacked by the same predator. 90 00:07:36,000 --> 00:07:40,000 Leslie Anderson was dead at least two days before she was discovered. 91 00:07:40,000 --> 00:07:43,000 And our missing girl is still out there. 92 00:07:43,000 --> 00:07:45,000 Thank you, Alexx. 93 00:07:55,000 --> 00:07:56,000 Hey. Hi. 94 00:07:56,000 --> 00:07:59,000 It's the trace from Leslie Anderson's pants. 95 00:08:01,000 --> 00:08:04,000 Yep. Silicon dioxide and aluminum oxide. 96 00:08:04,000 --> 00:08:05,000 It's clay dust. 97 00:08:05,000 --> 00:08:08,000 No, I get that, but what's the gray stuff? 98 00:08:08,000 --> 00:08:09,000 It's mortar. 99 00:08:09,000 --> 00:08:11,000 Like from a clay tile? Mm-hmm. 100 00:08:11,000 --> 00:08:14,000 75 years ago, mortar was used without additional fasteners. 101 00:08:14,000 --> 00:08:16,000 Now it's wired or nailed secured. 102 00:08:16,000 --> 00:08:19,000 So this could be like from an historical building? 103 00:08:19,000 --> 00:08:24,000 Yeah. Well, this amount of trace, the vic had to be around a lot of clay dust. 104 00:08:24,000 --> 00:08:26,000 Sorry to interrupt, you guys. Uh, valet stub. 105 00:08:26,000 --> 00:08:29,000 I ID'd the company logo. Yeah. 106 00:08:29,000 --> 00:08:30,000 You got an address? 107 00:08:30,000 --> 00:08:33,000 Yeah, it's a neighborhood restaurant in the Gables. 108 00:08:33,000 --> 00:08:35,000 You know who eats there. 109 00:08:35,000 --> 00:08:37,000 People who live in the neighborhood. 110 00:08:37,000 --> 00:08:38,000 (chuckles) 111 00:08:42,000 --> 00:08:47,000 This restaurant puts us a block away from a building that's over 100 years old. 112 00:09:00,000 --> 00:09:03,000 According to the bank records, this place is in foreclosure. 113 00:09:03,000 --> 00:09:05,000 So what, our suspect is squatting here? 114 00:09:05,000 --> 00:09:07,000 No rent, no questions asked. 115 00:09:07,000 --> 00:09:09,000 Looks abandoned to me. 116 00:09:10,000 --> 00:09:12,000 Clay tile. 117 00:09:12,000 --> 00:09:14,000 A trace from our victim. 118 00:09:24,000 --> 00:09:26,000 Frank. 119 00:09:28,000 --> 00:09:29,000 No. 120 00:09:31,000 --> 00:09:32,000 Stop it! 121 00:09:32,000 --> 00:09:36,000 (screaming) Our murder vic was definitely here. 122 00:09:36,000 --> 00:09:40,000 (footsteps approach) Freeze! Don't move! Hands, mister. 123 00:09:40,000 --> 00:09:42,000 I'll shoot you where you stand. 124 00:09:49,000 --> 00:09:51,000 You the owner? 125 00:09:53,000 --> 00:09:55,000 Tommy Boyer. 126 00:09:57,000 --> 00:09:58,000 Hook him up. 127 00:10:05,000 --> 00:10:07,000 I'll call Horatio. 128 00:10:13,000 --> 00:10:16,000 I don't know Leslie Anderson. 129 00:10:16,000 --> 00:10:20,000 She was suffocated two days ago and evidence leads us to you. 130 00:10:22,000 --> 00:10:29,000 My-my fiance, Jill Girrard, we're supposed to be married in a week. 131 00:10:29,000 --> 00:10:31,000 She went off with some friends, never came back. 132 00:10:31,000 --> 00:10:34,000 That still doesn't explain why you were in the building. 133 00:10:34,000 --> 00:10:36,000 I got desperate. 134 00:10:36,000 --> 00:10:38,000 Jill and I are on the TeleAid account for the Mercedes. 135 00:10:38,000 --> 00:10:40,000 They gave me the address. 136 00:10:40,000 --> 00:10:41,000 I figured she got cold feet. 137 00:10:41,000 --> 00:10:44,000 Ran off with some rich guy. 138 00:10:44,000 --> 00:10:45,000 Didn't have the guts to tell me. 139 00:10:45,000 --> 00:10:48,000 I went inside to take a look. 140 00:11:07,000 --> 00:11:10,000 Her car was there. She wasn't. 141 00:11:10,000 --> 00:11:12,000 That's when you guys found me. 142 00:11:12,000 --> 00:11:14,000 I-I don't know Leslie Anderson. 143 00:11:14,000 --> 00:11:16,000 I certainly didn't suffocate her. 144 00:11:16,000 --> 00:11:18,000 Do you have a photograph of Jill? 145 00:11:18,000 --> 00:11:20,000 Yeah, I do. 146 00:11:21,000 --> 00:11:26,000 I'm also going to need a personal item, like a hairbrush. 147 00:11:26,000 --> 00:11:28,000 Please, help me find her, Lieutenant. 148 00:11:28,000 --> 00:11:30,000 I'll do that. 149 00:11:32,000 --> 00:11:35,000 TRIPP: That's one solid safe. 150 00:11:52,000 --> 00:11:54,000 You know, my uncle was a safecracker. 151 00:11:54,000 --> 00:11:56,000 He taught me when I was 11. 152 00:11:56,000 --> 00:11:57,000 That's pretty cool. 153 00:11:57,000 --> 00:12:00,000 Hope there's not a body inside. 154 00:12:05,000 --> 00:12:06,000 (clicks) 155 00:12:13,000 --> 00:12:15,000 They're not bodies. 156 00:12:15,000 --> 00:12:19,000 I think they're something worse. 157 00:12:19,000 --> 00:12:21,000 They're trophies. 158 00:12:21,000 --> 00:12:24,000 TRIPP: Necklace, underwear, glasses? 159 00:12:24,000 --> 00:12:27,000 WOLFE: This is a picture of Leslie Anderson. 160 00:12:27,000 --> 00:12:29,000 Let's get this stuff out of here. 161 00:12:29,000 --> 00:12:32,000 And, Frank, put on some gloves. 162 00:12:32,000 --> 00:12:34,000 These are our only link to the killer. 163 00:12:44,000 --> 00:12:46,000 Did you process the fiance's Mercedes? 164 00:12:46,000 --> 00:12:48,000 Yeah, nothing. 165 00:12:48,000 --> 00:12:52,000 The only thing that we have to go on for the passenger in the tollbooth is the five-dollar bill. 166 00:12:52,000 --> 00:12:57,000 Yeah, well, the blood on the bill didn't match Leslie Anderson or the DNA from Jill Girrard's hairbrush. 167 00:12:57,000 --> 00:12:59,000 So there's a chance our mystery girl could be one of these. 168 00:12:59,000 --> 00:13:00,000 Yeah. 169 00:13:03,000 --> 00:13:06,000 I think these pictures were taken by somebody they trusted. 170 00:13:06,000 --> 00:13:09,000 Yeah, you're right. 171 00:13:09,000 --> 00:13:11,000 They don't look afraid. 172 00:13:11,000 --> 00:13:13,000 It's like he got them to go with him willingly somehow. 173 00:13:13,000 --> 00:13:14,000 Hey. 174 00:13:14,000 --> 00:13:15,000 These the photos from the safe? 175 00:13:15,000 --> 00:13:17,000 Yeah, Ryan found them. 176 00:13:17,000 --> 00:13:18,000 We're processing the blood from DNA. 177 00:13:18,000 --> 00:13:22,000 We're going to see if one of these girls kicks out. 178 00:13:22,000 --> 00:13:24,000 Oh, my God. What? 179 00:13:24,000 --> 00:13:26,000 That-That's Anya. Who's Anya? 180 00:13:26,000 --> 00:13:29,000 (cell phone beeps) (speed dialing) BOA VISTA: Voicemail. 181 00:13:29,000 --> 00:13:31,000 Anya, it's me, um, I'm... 182 00:13:31,000 --> 00:13:33,000 I'm worried, so call me. 183 00:13:35,000 --> 00:13:38,000 Will you just keep hitting "redial"? 184 00:13:38,000 --> 00:13:41,000 I'm gonna go check something out. 185 00:13:43,000 --> 00:13:45,000 Who's Anya? 186 00:13:55,000 --> 00:13:56,000 Are those the samples for the DNA bill? 187 00:13:56,000 --> 00:13:58,000 Yeah. They're almost ready for the 310. 188 00:13:58,000 --> 00:14:00,000 I've got one more sample for you. 189 00:14:00,000 --> 00:14:02,000 You worked in here, Natalia. 190 00:14:02,000 --> 00:14:05,000 You know the evidence submissions are processed in order. 191 00:14:05,000 --> 00:14:06,000 So you can wait for the next run. 192 00:14:06,000 --> 00:14:10,000 Valera, one of those pictures is of my sister. 193 00:14:10,000 --> 00:14:11,000 That rates a jump. 194 00:14:13,000 --> 00:14:15,000 Please compare this against these other samples. 195 00:14:15,000 --> 00:14:16,000 I'm sorry. I... 196 00:14:16,000 --> 00:14:18,000 Just do it now, okay? 197 00:14:28,000 --> 00:14:30,000 ♪ ♪ 198 00:14:57,000 --> 00:14:59,000 (printer running) 199 00:15:04,000 --> 00:15:06,000 Miss Boa Vista? 200 00:15:06,000 --> 00:15:08,000 What's going on? 201 00:15:08,000 --> 00:15:15,000 The girl in the tollbooth car is my sister. 202 00:15:15,000 --> 00:15:17,000 We have to find her, Lieutenant. 203 00:15:17,000 --> 00:15:19,000 We will. 204 00:15:32,000 --> 00:15:39,000 (reporters clamoring) SIKES: Lieutenant Caine, who are the women in these photographs? 205 00:15:39,000 --> 00:15:42,000 As you can see, some of the women behind me have yet to be identified. 206 00:15:42,000 --> 00:15:43,000 Where did these photographs come from? 207 00:15:43,000 --> 00:15:47,000 We recovered the photographs from a locked safe during the execution of a search warrant. 208 00:15:47,000 --> 00:15:48,000 Is that person a suspect? 209 00:15:48,000 --> 00:15:50,000 Is there anyone in custody? 210 00:15:50,000 --> 00:15:54,000 Lieutenant, who are these girls? 211 00:15:54,000 --> 00:16:04,000 While I'm not at liberty to discuss the details of an ongoing investigation, I can say that any help that the public gives us in identifying these women will be deeply, and I mean deeply, appreciated. 212 00:16:04,000 --> 00:16:05,000 Thank you. 213 00:16:05,000 --> 00:16:11,000 (reporters clamoring) Thank you. 214 00:16:11,000 --> 00:16:13,000 Lieutenant, thank you for not mentioning my sister. 215 00:16:13,000 --> 00:16:14,000 No problem. 216 00:16:14,000 --> 00:16:17,000 How do you think her photograph ended up in this gallery? 217 00:16:17,000 --> 00:16:20,000 Ever since she was a little girl, she always wanted to be a star. 218 00:16:20,000 --> 00:16:22,000 She loved having her picture taken. 219 00:16:22,000 --> 00:16:25,000 Okay, when was the last time you talked to her? 220 00:16:25,000 --> 00:16:26,000 A few days. Okay. 221 00:16:26,000 --> 00:16:31,000 Take a uniform, go to her apartment, and go through it with a fine-tooth comb. 222 00:16:31,000 --> 00:16:32,000 What am I looking for? 223 00:16:32,000 --> 00:16:34,000 Anything related to her last 24 hours. 224 00:16:43,000 --> 00:16:46,000 You're gonna have to get your soundbites somewhere else. 225 00:16:46,000 --> 00:16:47,000 Actually, I wanted to ask you a favor. 226 00:16:50,000 --> 00:16:51,000 The answer is "no." 227 00:16:51,000 --> 00:16:55,000 Come on, I heard you were letting a documentary film guy follow you around. 228 00:16:55,000 --> 00:16:56,000 No comment. 229 00:16:56,000 --> 00:16:58,000 I got to get back to work. 230 00:16:58,000 --> 00:17:00,000 Boa Vista's missing sister? 231 00:17:02,000 --> 00:17:04,000 You're not fooling me this time. 232 00:17:04,000 --> 00:17:07,000 I've already got it in deep background that it's her sister. 233 00:17:07,000 --> 00:17:08,000 Ex-husband says she has two. 234 00:17:08,000 --> 00:17:12,000 Is it Christine or Anya? 235 00:17:12,000 --> 00:17:13,000 You're literally the worst. 236 00:17:13,000 --> 00:17:16,000 You know that, right? 237 00:17:16,000 --> 00:17:17,000 You can't release that. 238 00:17:17,000 --> 00:17:18,000 You could get the girl killed. 239 00:17:18,000 --> 00:17:21,000 What do you want to bet in under 20 minutes, I'll know which girl? 240 00:17:32,000 --> 00:17:33,000 SASHA: Natalia? 241 00:17:33,000 --> 00:17:34,000 Is everything okay? 242 00:17:34,000 --> 00:17:37,000 She lives here. 243 00:17:37,000 --> 00:17:43,000 I just got back from a tryout for a reality show-- South Beach Babes. 244 00:17:43,000 --> 00:17:45,000 I think I really have a chance this time. 245 00:17:45,000 --> 00:17:47,000 Where's Anya? 246 00:17:47,000 --> 00:17:49,000 Um, that's why I'm here. 247 00:17:49,000 --> 00:17:50,000 Anya's missing. 248 00:17:50,000 --> 00:17:52,000 When was the last time you saw her? 249 00:17:52,000 --> 00:17:55,000 Um, yeah, I talked to her two days ago. 250 00:17:55,000 --> 00:17:58,000 She got a callback for a modeling shoot. 251 00:17:58,000 --> 00:17:59,000 She's so lucky. 252 00:17:59,000 --> 00:18:00,000 The guy promised her a cover. 253 00:18:00,000 --> 00:18:01,000 Do you know anything about this guy? 254 00:18:01,000 --> 00:18:04,000 He was, like, really old, like 35. 255 00:18:04,000 --> 00:18:07,000 But, I mean, he sounded nice on the machine. 256 00:18:07,000 --> 00:18:08,000 Okay. 257 00:18:08,000 --> 00:18:10,000 Do you mind if I take it with me? 258 00:18:10,000 --> 00:18:12,000 Yeah, sure, I give out my cell number for callbacks. 259 00:18:14,000 --> 00:18:16,000 I'm sure she's fine. She's very careful. 260 00:18:16,000 --> 00:18:17,000 Okay, look, Sasha, do me a favor, please. 261 00:18:17,000 --> 00:18:19,000 Don't go on any callbacks until this is over. 262 00:18:19,000 --> 00:18:21,000 Please. 263 00:18:21,000 --> 00:18:22,000 Okay. 264 00:18:22,000 --> 00:18:24,000 But she's fine. 265 00:18:44,000 --> 00:18:46,000 There's nothing. 266 00:18:46,000 --> 00:18:47,000 Whoever these belong to was very careful. 267 00:18:47,000 --> 00:18:50,000 Horatio seems to think the guy's a photographer. 268 00:18:50,000 --> 00:18:51,000 That makes sense. 269 00:18:51,000 --> 00:18:53,000 You think that these are color copies? 270 00:18:53,000 --> 00:18:55,000 No, take a look. 271 00:18:55,000 --> 00:18:58,000 Oh, yeah, that's pretty grainy. 272 00:18:58,000 --> 00:19:00,000 Rules out digital. 273 00:19:00,000 --> 00:19:01,000 Film is black and white. 274 00:19:01,000 --> 00:19:04,000 (camera clicking) 275 00:19:22,000 --> 00:19:25,000 Why would a photographer prefer a low-resolution image? 276 00:19:25,000 --> 00:19:27,000 Going for a distinct look. 277 00:19:27,000 --> 00:19:29,000 There's not a lot of places that develop black and white film. 278 00:19:29,000 --> 00:19:30,000 I'll go make some calls. 279 00:19:30,000 --> 00:19:34,000 To photo shops in Miami, the model shoot capital of the world? 280 00:19:34,000 --> 00:19:39,000 (chuckles) I think you're gonna be making a lot of phone calls. 281 00:19:39,000 --> 00:19:41,000 Have fun. 282 00:19:41,000 --> 00:19:46,000 (camera shutter clicking) MAN: That's it, baby. 283 00:19:46,000 --> 00:19:47,000 Give me sexy. 284 00:19:47,000 --> 00:19:48,000 Perfect. 285 00:19:50,000 --> 00:19:52,000 Hold that look. 286 00:19:52,000 --> 00:19:54,000 All right, I want sexy, not slutty. 287 00:19:54,000 --> 00:19:56,000 Come on. Give me sexy. 288 00:19:58,000 --> 00:20:01,000 DUQUESNE: Did you get a name for the black and white specialist? 289 00:20:01,000 --> 00:20:03,000 Well, Homicide pointed me towards this photo developing place downtown. 290 00:20:03,000 --> 00:20:06,000 All the high-end photographers use it. 291 00:20:06,000 --> 00:20:11,000 It's owned by this German guy, and he says that our man's name is John Stockman. 292 00:20:11,000 --> 00:20:14,000 Calleigh Duquesne, Ryan Wolfe, MDPD. 293 00:20:14,000 --> 00:20:15,000 These girls are all of age. 294 00:20:15,000 --> 00:20:17,000 I've checked every one of them out, personally. 295 00:20:17,000 --> 00:20:19,000 What about the photographers? Do you check them out, as well? 296 00:20:19,000 --> 00:20:22,000 Look, what is this? 297 00:20:22,000 --> 00:20:24,000 We're looking for John Stockman. 298 00:20:24,000 --> 00:20:26,000 Shoots in black and white; thinks he's Ansel Adams. 299 00:20:29,000 --> 00:20:31,000 Thank you. 300 00:20:33,000 --> 00:20:35,000 Give me sensual. 301 00:20:35,000 --> 00:20:39,000 (camera clicking) All these girls, they have the wrong dreams. 302 00:20:39,000 --> 00:20:43,000 I don't know that their dreams are bad, just the people who promise to make them come true. 303 00:20:43,000 --> 00:20:45,000 John Stockman? 304 00:20:45,000 --> 00:20:46,000 Yeah, what do you need? 305 00:20:46,000 --> 00:20:48,000 Your DNA. 306 00:20:48,000 --> 00:20:50,000 Excuse me? 307 00:21:00,000 --> 00:21:02,000 I don't understand what I'm doing here. 308 00:21:02,000 --> 00:21:05,000 Oh, no, I think you do. 309 00:21:07,000 --> 00:21:09,000 You took all the photos of these girls. 310 00:21:09,000 --> 00:21:11,000 I take a lot of photos. 311 00:21:11,000 --> 00:21:13,000 Yeah, but your camera's a single lens reflex. 312 00:21:13,000 --> 00:21:15,000 That's right. 313 00:21:15,000 --> 00:21:18,000 And you use dual-edge black and white film. 314 00:21:18,000 --> 00:21:20,000 It gives my work detail. 315 00:21:20,000 --> 00:21:22,000 Hmm. 316 00:21:22,000 --> 00:21:30,000 And the fact that you keep these in a safe with murder trophies in an abandoned building-- is that just a coincidence? 317 00:21:30,000 --> 00:21:32,000 You want to pin that on me? 318 00:21:32,000 --> 00:21:34,000 I hope you have proof. 319 00:21:34,000 --> 00:21:35,000 (cell phone ringing) 320 00:21:42,000 --> 00:21:43,000 This is Wolfe. 321 00:21:43,000 --> 00:21:45,000 Yep. 322 00:21:50,000 --> 00:21:55,000 Your DNA matches the semen we found in Leslie Anderson's underwear. 323 00:21:55,000 --> 00:21:57,000 You feeling pinned? 324 00:21:57,000 --> 00:22:00,000 That proves I had sex with her. 325 00:22:00,000 --> 00:22:03,000 It's a photographer's perk. 326 00:22:03,000 --> 00:22:05,000 Where'd this little hookup occur? 327 00:22:05,000 --> 00:22:08,000 In her dressing room, after the shoot. 328 00:22:08,000 --> 00:22:10,000 ♪ ♪ 329 00:22:15,000 --> 00:22:18,000 It was sex. 330 00:22:18,000 --> 00:22:20,000 Nothing criminal. 331 00:22:20,000 --> 00:22:23,000 Anyone could've stolen my photos and put them in that safe. 332 00:22:23,000 --> 00:22:26,000 Well, then I'm gonna need a list of those "anyones." 333 00:22:28,000 --> 00:22:30,000 Erica Sikes reporting. 334 00:22:30,000 --> 00:22:35,000 Sources say there's a personal connection at the Miami-Dade Crime Lab to the current murder case. 335 00:22:35,000 --> 00:22:42,000 MDPD Criminalist Natalia Boa Vista, this morning identified her own sister's picture from among the photos of the missing girls. 336 00:22:42,000 --> 00:22:44,000 That's right. Natalia. 337 00:22:44,000 --> 00:22:46,000 One of the missing and perhaps dead... 338 00:22:46,000 --> 00:22:47,000 There's something you should know about. 339 00:22:47,000 --> 00:22:48,000 (cell phone rings) What? 340 00:22:48,000 --> 00:22:49,000 Oh, my God. It's my sister. 341 00:22:49,000 --> 00:22:51,000 Anya? ANYA (on phone): Natalia. 342 00:22:51,000 --> 00:22:52,000 Where are you? 343 00:22:52,000 --> 00:22:53,000 I only have a second. I'm in a house. 344 00:22:53,000 --> 00:22:56,000 I think it's near the water. I don't know... 345 00:22:57,000 --> 00:22:58,000 An... 346 00:23:03,000 --> 00:23:05,000 They're going to kill her, Ryan. 347 00:23:05,000 --> 00:23:06,000 Listen, no, listen. 348 00:23:06,000 --> 00:23:08,000 If she called, it means she's still alive, right? 349 00:23:08,000 --> 00:23:11,000 So focus. What'd you get from the answering machine? 350 00:23:11,000 --> 00:23:14,000 Um... nothing. I got nothing. 351 00:23:14,000 --> 00:23:16,000 I have listened to this a thousand times. 352 00:23:16,000 --> 00:23:19,000 There's no ambient sound. Listen. 353 00:23:19,000 --> 00:23:21,000 MALE VOICE (on recorder): Anya, it's me. 354 00:23:21,000 --> 00:23:22,000 Your pics are ready. 355 00:23:22,000 --> 00:23:23,000 These are the ones, baby. 356 00:23:23,000 --> 00:23:25,000 Call me. 357 00:23:25,000 --> 00:23:26,000 You've got the number. See? 358 00:23:26,000 --> 00:23:28,000 There's no accent. 359 00:23:28,000 --> 00:23:30,000 I mean, this could be any guy out there. Not really. 360 00:23:32,000 --> 00:23:33,000 I think I know that voice. 361 00:23:33,000 --> 00:23:34,000 From where? 362 00:23:34,000 --> 00:23:37,000 The model shoot. 363 00:23:40,000 --> 00:23:45,000 Mr. Laporte, you placed a call to Anya Boa Vista. 364 00:23:47,000 --> 00:23:48,000 I did? 365 00:23:48,000 --> 00:23:51,000 You did. (plays tape) LAPORTE (on tape): Anya, it's me. 366 00:23:51,000 --> 00:23:53,000 Your pics are ready. 367 00:23:53,000 --> 00:23:54,000 These are the ones, baby. 368 00:23:54,000 --> 00:23:56,000 Call me. You've got the number. 369 00:23:56,000 --> 00:23:59,000 (laughs): Right. 370 00:23:59,000 --> 00:24:02,000 Yeah, her. I called her to let her know her proofs were ready. 371 00:24:02,000 --> 00:24:04,000 Go on. 372 00:24:04,000 --> 00:24:06,000 You should really be talking to Stockman. 373 00:24:06,000 --> 00:24:07,000 All right, he's the one doing all the models. 374 00:24:07,000 --> 00:24:11,000 You have quite a history, too, which includes a rape charge, doesn't it? 375 00:24:12,000 --> 00:24:15,000 I was acquitted. Yes, but that doesn't mean you're innocent. 376 00:24:15,000 --> 00:24:17,000 Does it? 377 00:24:18,000 --> 00:24:21,000 I'm just a guy who processed her proofs. 378 00:24:23,000 --> 00:24:24,000 But I can help you, Lieutenant. 379 00:24:24,000 --> 00:24:28,000 I know what goes on between model and photographer. 380 00:24:28,000 --> 00:24:30,000 Describe it to me. 381 00:24:30,000 --> 00:24:32,000 All about fame. 382 00:24:32,000 --> 00:24:34,000 Hey, and these girls, they all want it so bad. 383 00:24:34,000 --> 00:24:37,000 So you point a camera at them, you get them to do whatever you want. 384 00:24:37,000 --> 00:24:38,000 They'll take their shirts off. 385 00:24:38,000 --> 00:24:40,000 They'll hop into bed with you. Anything. 386 00:24:40,000 --> 00:24:44,000 That's what you did, Mr. Laporte. Isn't it? 387 00:24:46,000 --> 00:24:47,000 You prove that, let me know. 388 00:24:47,000 --> 00:24:49,000 I guarantee it. 389 00:25:05,000 --> 00:25:08,000 No, no. That's too much backlight there. 390 00:25:08,000 --> 00:25:09,000 To the right. 391 00:25:11,000 --> 00:25:13,000 To the right. 392 00:25:13,000 --> 00:25:14,000 Hey. News chick. 393 00:25:14,000 --> 00:25:17,000 Do you realize that you signed my sister's death warrant? 394 00:25:17,000 --> 00:25:19,000 I know you're angry, but I'm just reporting the facts. 395 00:25:19,000 --> 00:25:21,000 You tied her to law enforcement. 396 00:25:21,000 --> 00:25:23,000 That makes her a primary target. 397 00:25:23,000 --> 00:25:24,000 DUQUESNE: Nat. Do you deny that? 398 00:25:24,000 --> 00:25:26,000 This is exactly what she wants. Don't give it to her, okay? 399 00:25:28,000 --> 00:25:29,000 I'll meet you inside. 400 00:25:36,000 --> 00:25:38,000 You do understand where I'm coming from, don't you? 401 00:25:38,000 --> 00:25:42,000 I do. I understand you have a job to do just like the rest of us. Thank you. 402 00:25:42,000 --> 00:25:46,000 I also understand that your need for attention may have put these girls' lives in even more danger. 403 00:25:46,000 --> 00:25:48,000 My need for attention? Mm-hmm. 404 00:25:48,000 --> 00:25:51,000 You didn't just report the news; you chose a salacious angle. 405 00:25:51,000 --> 00:25:52,000 That's more attention for you. 406 00:25:52,000 --> 00:25:54,000 I'm a journalist. 407 00:25:54,000 --> 00:25:55,000 I want my attention on my stories. 408 00:25:55,000 --> 00:26:02,000 If that were true, sweet pea, you'd be writing for a newspaper not planting your face on the evening news. 409 00:26:02,000 --> 00:26:03,000 Have a nice day. 410 00:26:08,000 --> 00:26:12,000 (elevator bell dings) Lieutenant Caine. 411 00:26:12,000 --> 00:26:15,000 Mr. Boyer. 412 00:26:15,000 --> 00:26:17,000 I just got home and found this in the mail. 413 00:26:17,000 --> 00:26:18,000 It's a letter from Jill. 414 00:26:18,000 --> 00:26:20,000 What does it say? 415 00:26:20,000 --> 00:26:25,000 It says that we're through. The wedding's off, that I shouldn't even bother trying to find her. 416 00:26:26,000 --> 00:26:28,000 Man, this doesn't sound like her. 417 00:26:28,000 --> 00:26:30,000 After your press conference, I know something's wrong. 418 00:26:33,000 --> 00:26:36,000 Mr. Boyer, I need you to leave that letter with me. 419 00:26:36,000 --> 00:26:37,000 You think it'll help? 420 00:26:37,000 --> 00:26:39,000 I know it's gonna help. 421 00:26:43,000 --> 00:26:46,000 So Horatio told me you're processing the paper. 422 00:26:46,000 --> 00:26:48,000 Why aren't you in QD? 423 00:26:48,000 --> 00:26:49,000 'Cause I got what I needed in there. 424 00:26:49,000 --> 00:26:50,000 Which was what? 425 00:26:50,000 --> 00:26:52,000 This paper's store-bought. 426 00:26:52,000 --> 00:26:54,000 It's, um... it's untraceable. 427 00:26:54,000 --> 00:26:56,000 But this logo's gonna help us. 428 00:26:58,000 --> 00:27:00,000 See that? It's embossed. 429 00:27:00,000 --> 00:27:02,000 So someone modified the paper themselves? 430 00:27:02,000 --> 00:27:04,000 The paper passes through and each time, uh... 431 00:27:04,000 --> 00:27:05,000 the sheet gets pressed. 432 00:27:10,000 --> 00:27:12,000 All right. 433 00:27:12,000 --> 00:27:13,000 Well, again, why are we in here? 434 00:27:13,000 --> 00:27:15,000 Embossing machines have many uses. 435 00:27:15,000 --> 00:27:19,000 I noticed there was a little bit of trace on the outer edge of the imprint. 436 00:27:19,000 --> 00:27:22,000 A little trace from whatever was being embossed before the paper. 437 00:27:35,000 --> 00:27:37,000 "Trivalent chromium sulfate." 438 00:27:39,000 --> 00:27:41,000 That's used in the preparation of leather. 439 00:27:41,000 --> 00:27:44,000 That's right; the higher the concentration of the tannins, the higher the quality. 440 00:27:44,000 --> 00:27:47,000 So whatever this business is, it deals in high-quality leathers. 441 00:27:48,000 --> 00:27:49,000 I'll call Calleigh. 442 00:28:01,000 --> 00:28:04,000 Good afternoon, officers. Bill Starr. 443 00:28:04,000 --> 00:28:06,000 Bill Starr's Custom Upholstery. 444 00:28:06,000 --> 00:28:08,000 No snappy catchphrase? 445 00:28:08,000 --> 00:28:10,000 Look around. I don't need one. 446 00:28:10,000 --> 00:28:14,000 Maybe you can explain to us why a missing girl would write a "Dear John" on your letterhead. 447 00:28:15,000 --> 00:28:17,000 I don't know. Busy place. 448 00:28:17,000 --> 00:28:18,000 Hand those out like candy. 449 00:28:23,000 --> 00:28:24,000 What? 450 00:28:24,000 --> 00:28:26,000 We have our own theories. 451 00:28:31,000 --> 00:28:33,000 Can you read that plate for me? 452 00:28:36,000 --> 00:28:38,000 It's blocked like the car at the tollbooth. 453 00:28:57,000 --> 00:28:58,000 I got Anya's blood. 454 00:28:58,000 --> 00:29:01,000 She cut herself on purpose so we could ID her. 455 00:29:16,000 --> 00:29:18,000 MAN: Pay the toll, bitch. 456 00:29:24,000 --> 00:29:26,000 Who owns that car? 457 00:29:26,000 --> 00:29:27,000 I don't know. Uh, I forget. 458 00:29:27,000 --> 00:29:30,000 The guy dropped it off for reupholstery. 459 00:29:30,000 --> 00:29:32,000 He didn't leave his name, only an address. 460 00:29:32,000 --> 00:29:34,000 I got the info inside. 461 00:29:34,000 --> 00:29:36,000 Oh, great. You can give me the address. 462 00:29:36,000 --> 00:29:37,000 You can give him the car. 463 00:29:56,000 --> 00:29:57,000 Miami-Dade Police. 464 00:30:09,000 --> 00:30:11,000 (rustling) 465 00:30:14,000 --> 00:30:21,000 Who is ever behind that door, I want you to open it slowly by the count of three or I'm going to kick it down. One... 466 00:30:21,000 --> 00:30:24,000 Two... three. 467 00:30:26,000 --> 00:30:27,000 Jill? Yes. 468 00:30:27,000 --> 00:30:29,000 Jill Girrard. 469 00:30:29,000 --> 00:30:31,000 You're okay now. 470 00:30:31,000 --> 00:30:33,000 Let me help you up. 471 00:30:33,000 --> 00:30:39,000 Jill, we know this is incredibly difficult, but is there anything that you can tell us about what happened? 472 00:30:41,000 --> 00:30:44,000 I answered an ad to get my portrait taken. 473 00:30:44,000 --> 00:30:47,000 It was supposed to be an engagement gift for my fiance. 474 00:30:47,000 --> 00:30:49,000 Your fiance, Tommy. 475 00:30:49,000 --> 00:30:52,000 The guy left a message on my answering machine. 476 00:30:52,000 --> 00:30:53,000 Okay, did he leave a name? 477 00:30:53,000 --> 00:30:56,000 No, he just told me to meet him at his place in the Gables. 478 00:30:58,000 --> 00:31:00,000 Hello? 479 00:31:02,000 --> 00:31:04,000 Hello? 480 00:31:04,000 --> 00:31:09,000 (gasps) Do you by any chance have the answering machine message or...? 481 00:31:09,000 --> 00:31:11,000 I erased it. 482 00:31:11,000 --> 00:31:13,000 Did his voice sound familiar? 483 00:31:13,000 --> 00:31:15,000 Just a guy. 484 00:31:15,000 --> 00:31:17,000 All I remember is being put in a car. 485 00:31:17,000 --> 00:31:19,000 He had something over my head. 486 00:31:19,000 --> 00:31:22,000 So you couldn't identify him. 487 00:31:22,000 --> 00:31:25,000 What about when you were in the car, did you hear noise? 488 00:31:25,000 --> 00:31:26,000 Could you notice anything? 489 00:31:26,000 --> 00:31:28,000 There was another girl. 490 00:31:28,000 --> 00:31:29,000 Was it Anya? 491 00:31:29,000 --> 00:31:31,000 I don't know what her name was. 492 00:31:31,000 --> 00:31:36,000 She couldn't stop crying; we drove around for a bit, made a stop and then suddenly she was gone. 493 00:31:38,000 --> 00:31:40,000 I figured I was next. 494 00:31:40,000 --> 00:31:42,000 Did he hurt you in any way? 495 00:31:46,000 --> 00:31:48,000 Ma'am. We're gonna get you to the hospital. 496 00:31:52,000 --> 00:31:53,000 Hang in there. 497 00:31:53,000 --> 00:31:55,000 (indistinct radio dispatch) 498 00:32:07,000 --> 00:32:09,000 WOLFE: Remember: eyes, no hands. 499 00:32:34,000 --> 00:32:36,000 What is it? Do you see something? 500 00:32:36,000 --> 00:32:40,000 Yeah, this door locks on both sides. 501 00:32:40,000 --> 00:32:44,000 If you want to keep someone in a room, why would you have it keyed from the inside? 502 00:32:44,000 --> 00:32:47,000 Unless you want to be locked in here with them. 503 00:32:49,000 --> 00:32:51,000 Sorry. I, uh, I didn't mean to imply... 504 00:32:51,000 --> 00:32:53,000 No, no, um... 505 00:32:53,000 --> 00:32:56,000 we need to know what we're dealing with. 506 00:32:59,000 --> 00:33:01,000 (clears throat) 507 00:33:12,000 --> 00:33:13,000 Oh, my God. 508 00:33:13,000 --> 00:33:16,000 Natalia, don't touch that. Oh. Okay, but that's Anya's. 509 00:33:16,000 --> 00:33:18,000 I got that for her last Christmas. 510 00:33:18,000 --> 00:33:19,000 Okay, but you can't collect evidence in this case. 511 00:33:23,000 --> 00:33:25,000 She was here. 512 00:33:25,000 --> 00:33:27,000 And we just missed her. 513 00:33:31,000 --> 00:33:35,000 Calleigh, honey, Horatio asked me to check in on your victim Jill Girrard at the hospital. 514 00:33:35,000 --> 00:33:37,000 Yeah, how's she doing? 515 00:33:37,000 --> 00:33:43,000 Well, I spoke to the SART nurse, and she found several contusions on Jill that were consistent with her account of the attack. 516 00:33:43,000 --> 00:33:46,000 What about the sexual assault exam? 517 00:33:46,000 --> 00:33:47,000 Get this. 518 00:33:47,000 --> 00:33:50,000 There were no physical findings. 519 00:33:50,000 --> 00:33:56,000 Really? In fact, based on the exam, she's never even had sexual intercourse. 520 00:33:56,000 --> 00:33:58,000 That doesn't make sense. 521 00:33:58,000 --> 00:33:59,000 Why would somebody lie about being raped? 522 00:34:00,000 --> 00:34:02,000 Take a look at this. 523 00:34:05,000 --> 00:34:08,000 She swallowed a key. 524 00:34:08,000 --> 00:34:09,000 HORATIO: Miami-Dade Police. 525 00:34:23,000 --> 00:34:25,000 (coughs) 526 00:34:30,000 --> 00:34:33,000 What about this one? 527 00:34:33,000 --> 00:34:35,000 Anya Boa Vista. 528 00:34:35,000 --> 00:34:38,000 I've never seen her. 529 00:34:38,000 --> 00:34:40,000 You weren't being held captive, were you? 530 00:34:40,000 --> 00:34:42,000 What are you talking about? 531 00:34:42,000 --> 00:34:47,000 An abdominal x-ray shows that you swallowed a key, and my bet is that that key opens the lock on the boat. 532 00:34:49,000 --> 00:34:54,000 He told me I was special. 533 00:34:54,000 --> 00:34:57,000 Please. 534 00:34:57,000 --> 00:34:59,000 Don't. 535 00:34:59,000 --> 00:35:01,000 I've never done it before. 536 00:35:08,000 --> 00:35:11,000 That I was different than the rest. 537 00:35:11,000 --> 00:35:13,000 Tell me what happened. 538 00:35:15,000 --> 00:35:17,000 He made me watch. 539 00:35:20,000 --> 00:35:22,000 Please! No! 540 00:35:26,000 --> 00:35:31,000 (grunting) He called me his girlfriend. 541 00:35:31,000 --> 00:35:32,000 He made me write that letter to Tommy. 542 00:35:32,000 --> 00:35:35,000 So Tommy wouldn't try and find you. 543 00:35:35,000 --> 00:35:37,000 I was so scared. 544 00:35:37,000 --> 00:35:39,000 Told me to go to the boat. Pick up a necklace. 545 00:35:39,000 --> 00:35:41,000 He let you go to the boat alone? No. 546 00:35:41,000 --> 00:35:45,000 I was never alone. 547 00:35:45,000 --> 00:35:49,000 He was testing me. 548 00:35:49,000 --> 00:35:51,000 When the cops showed up at the boat, I had to do something. 549 00:35:51,000 --> 00:35:52,000 I couldn't screw it up. 550 00:35:52,000 --> 00:35:55,000 So you protected him. 551 00:35:55,000 --> 00:35:59,000 He said bad girls always die the slowest. 552 00:36:01,000 --> 00:36:03,000 What's his name? 553 00:36:05,000 --> 00:36:07,000 I... 554 00:36:07,000 --> 00:36:10,000 I can't. I'm sorry. 555 00:36:14,000 --> 00:36:17,000 Why me? 556 00:36:17,000 --> 00:36:20,000 Why did he spare me? 557 00:36:20,000 --> 00:36:22,000 Just be grateful that he did. 558 00:36:30,000 --> 00:36:34,000 So, uh, the runaway bride, Jill, went Stockholm on us. 559 00:36:34,000 --> 00:36:38,000 That poor girl, man, she's so messed up. 560 00:36:38,000 --> 00:36:40,000 She won't be so poor after she signs a book deal. 561 00:36:40,000 --> 00:36:42,000 You think she's faking? 562 00:36:42,000 --> 00:36:45,000 I think she's getting her wish. 563 00:36:45,000 --> 00:36:47,000 To be famous? 564 00:36:47,000 --> 00:36:49,000 She'll be living off of this for years. 565 00:36:49,000 --> 00:36:51,000 You know, she's really traumatized. 566 00:36:51,000 --> 00:36:54,000 That kind of hell she went through, it's not easy to deal with. 567 00:36:54,000 --> 00:36:56,000 Yeah, well, ask Natalia about that. 568 00:36:56,000 --> 00:36:59,000 All I know, is this girl could be saving Anya's life and she's not talking. 569 00:36:59,000 --> 00:37:00,000 Well, you know what? 570 00:37:00,000 --> 00:37:04,000 She's not going to tell us, maybe this car will. 571 00:37:17,000 --> 00:37:19,000 I got something. 572 00:37:23,000 --> 00:37:25,000 Some kind of rock or mineral. 573 00:37:25,000 --> 00:37:26,000 You mean clay? 574 00:37:26,000 --> 00:37:29,000 No, it's coarse. Looks like granite. 575 00:37:30,000 --> 00:37:33,000 Killers have a comfort zone for body dumps. 576 00:37:33,000 --> 00:37:34,000 If that's granite... 577 00:37:34,000 --> 00:37:37,000 There's only one place: jetty. 578 00:37:37,000 --> 00:37:38,000 It's government cut. 579 00:37:44,000 --> 00:37:49,000 Officers, she's going to be somewhere underneath these rocks. 580 00:37:53,000 --> 00:37:56,000 The tide's rising. Let's pick up our pace. 581 00:38:01,000 --> 00:38:02,000 This quadrant's clear. 582 00:38:02,000 --> 00:38:04,000 Moving to the next section. 583 00:38:04,000 --> 00:38:06,000 Eric, we're running out of time; this tide is rising. 584 00:38:10,000 --> 00:38:11,000 H, move to your right. 585 00:38:11,000 --> 00:38:13,000 She's two rocks over. 586 00:38:13,000 --> 00:38:15,000 Two rocks ahead of you right there. 587 00:38:16,000 --> 00:38:18,000 Yeah, right there. 588 00:38:18,000 --> 00:38:20,000 She's right there. 589 00:38:22,000 --> 00:38:24,000 Ma'am, hang on. Gentlemen, hurry please. 590 00:38:24,000 --> 00:38:25,000 Ma'am, we're going to get you out of there right now. 591 00:38:25,000 --> 00:38:28,000 Who did this to you? 592 00:38:28,000 --> 00:38:29,000 Gavin. He's got another girl. 593 00:38:29,000 --> 00:38:32,000 It's got to be Anya. Where are they? 594 00:38:32,000 --> 00:38:33,000 They're at the studio. 595 00:38:33,000 --> 00:38:35,000 (police siren blaring) 596 00:38:43,000 --> 00:38:45,000 (tires screeching) 597 00:39:22,000 --> 00:39:24,000 What you crying for? 598 00:39:24,000 --> 00:39:26,000 This is it. This is what you want. 599 00:39:26,000 --> 00:39:28,000 This is your dream, baby. 600 00:39:28,000 --> 00:39:30,000 You're making it all happen. 601 00:39:34,000 --> 00:39:35,000 Anya. 602 00:39:35,000 --> 00:39:37,000 Get on your knees. 603 00:39:40,000 --> 00:39:41,000 I'll make you a star. 604 00:39:46,000 --> 00:39:47,000 Gavin Laporte. 605 00:39:47,000 --> 00:39:49,000 Miami-Dade Police. Let her go. 606 00:39:49,000 --> 00:39:51,000 Come on. Let's go. Let's get out of here. 607 00:39:51,000 --> 00:39:52,000 Come on. Let's go. 608 00:39:52,000 --> 00:39:53,000 Move it. 609 00:39:56,000 --> 00:39:59,000 Help! Please! 610 00:39:59,000 --> 00:40:00,000 I'm here, Anya. Here I come. 611 00:40:06,000 --> 00:40:07,000 Let's go. 612 00:40:27,000 --> 00:40:29,000 That's far enough, Gavin. 613 00:40:29,000 --> 00:40:33,000 Now, put the gun on the ground or I blow your brains out. 614 00:40:33,000 --> 00:40:35,000 Do it. 615 00:40:39,000 --> 00:40:42,000 OFFICER: You're under arrest. 616 00:40:42,000 --> 00:40:43,000 Get him up. Get him up. 617 00:40:43,000 --> 00:40:45,000 All right, let's go. 618 00:40:45,000 --> 00:40:46,000 Move it. 619 00:40:48,000 --> 00:40:49,000 You okay, Anya? 620 00:40:54,000 --> 00:40:55,000 Come on. 621 00:40:58,000 --> 00:41:01,000 ♪ ♪ 622 00:41:24,000 --> 00:41:28,000 ♪ ♪ 623 00:41:34,000 --> 00:41:36,000 Are you mad at me? Yes, I am so, so, so mad at you. 624 00:41:40,000 --> 00:41:42,000 Oh, my God. Thank you. 625 00:41:42,000 --> 00:41:44,000 Not a problem. 626 00:41:44,000 --> 00:41:46,000 It's okay. It's all right. Come on. 627 00:41:55,000 --> 00:41:57,000 There are more girls out there, Gavin, and I'm gonna find them. 628 00:41:57,000 --> 00:42:00,000 I've been all over this country, Lieutenant. 629 00:42:00,000 --> 00:42:02,000 A lot of cities along the way. 630 00:42:04,000 --> 00:42:06,000 Take him. 631 00:42:22,000 --> 00:42:25,000 Miss Boa Vista. 632 00:42:25,000 --> 00:42:26,000 How's Anya doing? 633 00:42:28,000 --> 00:42:32,000 Time will tell. 634 00:42:32,000 --> 00:42:34,000 She's lucky to have you. 635 00:42:37,000 --> 00:42:39,000 Horatio... 636 00:42:39,000 --> 00:42:45,000 did you know that Laporte lawyered up and that there's another case in California? 637 00:42:45,000 --> 00:42:46,000 Different suspect, same MO. 638 00:42:46,000 --> 00:42:49,000 I'm not surprised. 639 00:42:50,000 --> 00:42:52,000 All those women. 640 00:42:52,000 --> 00:42:55,000 They could be anywhere. Where do we start? 641 00:42:55,000 --> 00:42:58,000 We take it nationwide. 642 00:42:58,000 --> 00:43:01,000 Captioning sponsored by\h CBS, C.S.I. PRODUCTIONS 643 00:43:09,000 --> 00:43:11,000 Captioned by access.wgbh.org oup at WGBH