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ANNOUNCER: Welcome, everyone, to the Royal Azalea Pageant two-day extravaganza!

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Tomorrow night, one of these lucky beauties will be named the overall winner!

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(loud cheering) ♪ ♪ MAN: Kierra, you're up next.

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WOMAN: Oof.

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There's one down. (chuckles) No! I don't want to wear the flipper!

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WOMAN: Melrose, without it you get the runner-up ribbon; with it you get the big crown.

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I will give you one of your special treats.

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Two.

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Okay?

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I feel like a bunny rabbit.

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Well, you look like a winner.

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Got to keep your energy up.

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Okay?

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WOMAN: Oh, hey, Suze!

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(laughs) Today might be our day.

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Good luck, sweetie.

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ANNOUNCER: All right! (loud music plays) Next we welcome to the stage, Kierra!

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GIRL: Mr. Chambers, why is my age group now moved up to 3:00?

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Blakely is at her prime between 8:00 and 11:00 a.m.

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Well, my wife handles those aspects of the pageant.

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Oh.

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Ow! Stop, Mommy! You're hurting me!

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Beauty is pain, baby.

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If you want to beat Melrose, your hair has to be perfect.

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(crowd cheering) ANNOUNCER: And now welcome...

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Tori! Go, honey. Go, honey.

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♪ ♪

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(applause) MAN: Aw...

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♪ ♪

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MAN: Go, Tori! (cheering) Now we welcome to the stage Come here, honey. Good job.

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two-time Royal Azalea champion, Melrose!

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(crowd cheering) Hi. I'm Melrose and I'm six.

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My favorite color is magenta, and I want to be a ballerina when I grow up.

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(crowd cheering, whooping) MELROSE'S MOM: Get it, girl!

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Hit those exes!

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You are a star! Whoo!

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(crowd cheering) Yeah! Work it!

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MAN: Good job, honey!

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MELROSE'S MOM: Smile big!

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Smile!

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ANNOUNCER: Say good-bye to Melrose!

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(cheering)

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(door creaks quietly) Melrose?

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You in here?

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Mrs. Gramercy?

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We're ready for Melrose in the beachwear lineup.

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Mrs. Gramercy?

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If you don't get downstairs in five minutes, you're gonna lose points.

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Mommy says I have to learn how to do my own makeup.

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Where is your mommy?

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She's sleeping.

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(whispers): Of course she is.

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Come on, let's get you out of here.

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(camera whirring, shutter clicking) CAINE: This woman was murdered while her six-year-old daughter was hiding in the bathroom, Tom.

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Did she see the killer?

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That's yet to be determined.

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(exhales) Aha. There's my cause of death.

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The spike penetrated the ocular cavity and passed into the frontal lobe.

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Caused intracranial bleeding.

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Seems to me like someone in the pageant wanted to send a message.

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There are no winners today, Tom.

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Not today.

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♪ Yeah! ♪

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♪ We don't get fooled again ♪ ♪ Don't get fooled again ♪ ♪ No, no! ♪

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♪ ♪

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WOMAN: Smile, Molly.

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You know, even without the murder this is looking a little creepy.

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You know, as a former pageant princess, I'd completely agree.

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What?

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Oh, I see it.

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Well, it's just like a rite of passage, you know, for Southern girls.

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Sort of like football is for boys.

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TORI'S MOM: We spent thousands of dollars getting Tori ready for this and you're canceling?

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Thousands? Thought the top prize was a $200 college savings bond.

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Excuse me, we're looking for the pageant director.

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Yours truly. Darla Chambers.

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Great. I'm Calleigh Duquesne, this is Ryan Wolfe.

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We're with Miami-Dade Police Department.

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Excuse me, what about crowning?

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My daughter was on track to win.

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Officers, you have to understand that our contestants, they spend months preparing for Royal Azalea, and their moms spend a lot of money.

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I understand what you're saying.

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It's just that one of your mothers was murdered.

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What?

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Oh, my God.

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Yeah, I hadn't made that announcement.

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WOLFE: Okay, ladies, I'm going to need you all to back up, please.

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Just back up. Thanks.

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Edwin!

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You want me on mom patrol?

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Yeah.

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Ladies, I can try and get answers for all your questions.

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There are complimentary refreshments in the banquet room. Follow me.

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We're gonna need a list of all the contestants in the pageant.

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And I see that you have video cameras taping the event.

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Yes. It's for our Sizzle reel.

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Okay, we're going to need all of the footage.

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I can get that for you. It's gonna take a little while.

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As soon as possible.

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Do you know where the victim's family is?

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Right through that door.

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Okay.

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So the two of you were staying in a separate room from Melrose and your mother?

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Yeah, my mom likes to keep everything calm for her the night before the pageant.

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Is there anyone else who had a key?

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Absolutely not.

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No.

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Okay, Mr. Gramercy, I'd like to ask Melrose some questions, and it is our protocol to talk to a child separately in a neutral location away from the family.

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Keep her out of it. She's six years old.

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I understand your concern. However, your wife was murdered, and we don't know what happened in that room.

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It's best if Melrose spoke to a doctor.

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Okay.

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Hey.

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This nice lady is going to ask you some questions, okay?

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But Hoppa, I want to be here when Mommy wakes up.

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We're going to see about that, okay?

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(whispers): It's okay.

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Please look out for my daughter.

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I will.

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Let's go, sweetie.

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You see this?

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She doesn't even look real. She looks like a doll.

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I don't understand why parents put kindergarteners through this.

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Just let kids be kids.

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It's disgusting.

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Check this out.

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It looks like a pink bead.

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Yeah. Maybe it's from one of those dresses. You see anything?

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That rack there.

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Um...

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No, I don't think it came from any of these.

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Well, if it didn't come from one of her dresses then maybe the killer tracked it in.

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You said that this crown was already in the room, right?

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Yeah. Melrose won it in her last pageant.

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Mommy brought it for motivation.

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And this was used to stab her?

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Maybe someone thought Melrose didn't deserve the title and they decided to take it out on her mom.

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Sam O., I got something.

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Oh, way to go, Simmons.

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Was that supposed to be funny?

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Well, seeing that you're holding biological evidence in the trace lab I figured you came in here for an ego boost.

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Oh, no. Always appreciated, but I'm good.

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You see, this hair has no follicle.

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Ah, so no DNA.

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Yes, which is why I came to you.

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Are you thinking a drug test? I'm hoping if we can find any prescriptions, then we can cross-check it against the other registrants at the pageant.

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Yeah, but for that kind of analysis, I usually have several strands to work with.

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I know. Isn't it funny? But you can do it!

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Ah...

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It worked.

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Your hair shows me that the only drug this person ingested is Isotretinoin.

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And what's that?

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Prescription acne medication.

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So, most likely from a teenager.

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Mm.

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CAINE: Jan, we found a strand of your hair on the murder weapon.

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You told the police earlier you were never in that room.

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Well, I wasn't.

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Oh. My hair was.

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Your what?

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Yeah, my mom-- she makes me grow out my hair so she can cut it off and use it to make Melrose's wiglet.

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A wiglet?

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Oh, it's a little hairpiece, makes her hair look fuller.

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Are you always that generous with your sister?

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I had my chance, winning crowns and stuff.

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I hit puberty, and, well, it was Melrose's turn.

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Were you angry about that?

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No.

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My mom liked the pageants more than I did anyway.

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You still go every weekend to cheer on Melrose.

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Look...

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we're a close family.

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You know, if you want to find her killer, you really should look at the other kids' moms.

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They're competitive.

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They're crazy.

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Especially this one woman, Alicia Haverford.

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Melrose beat her daughter in the last four pageants.

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She was beyond pissed.

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So, Haverford's here in 107.

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Yeah, she must be crazy competitive.

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ALICIA: Just open your mouth. TORI: No! No! No! No!

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Hey, Miami-Dade!

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Miami-Dade Police! Open the door! Mommy!

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(Tori screaming) What's going on? What are you doing here?

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What are you doing?!

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What's going on in here?

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What is happening?

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Are you okay, honey? I was just bleaching Tori's teeth.

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You're just bleaching her teeth. She's six years old.

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Mommy says beauty is pain.

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They're just baby teeth. What...?

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We're gonna get her some real great caps when she's ready.

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This says 16 and up.

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You know, what you're doing, lady, is borderline child abuse.

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Everybody here does it.

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Great, well, then, I'll have Child Protective Services start with you.

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Is she doing anything else that's hurting you, or that you don't like?

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These pins she pokes into my hair.

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They hurt my head.

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I bet they do. Well, you know what? I'll just take them, okay?

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And what about this?

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What about this?

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No, that one's my favorite.

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I hope you plan to reimburse me for those.

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Yeah, I don't because they're part of a crime scene.

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Every single thing in this room is evidence in a murder investigation.

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Uh, sweetie, why don't you go brush your teeth?

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Okay.

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Why?

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Am I a suspect?

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DELKO: The hotel's computer key log system has you leaving your room at 2:43 a.m., and Suzanne Gramercy's door opening at 2:45.

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Must have been around the time I went to get some ice.

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Really? Because I found a bead just like this one at the murder scene.

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(scoffs) Well, I didn't want to speak ill of the dead.

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Why don't you try the truth?

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Suzanne tried to sabotage Tori.

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Hey, hey, what are you doing?

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Melrose is sleeping.

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You ripped Tori's dress.

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I didn't touch your cheap costume.

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Cheap? This dress cost five grand.

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It's custom.

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Look, Melrose is taking that crown. (scoffs) Don't go counting your chickens yet.

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We've got a backup outfit.

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Oh, would you just get out?

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Get out before I call security. Go!

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(scoffs) BOA VISTA: And?

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And then I went back to bed.

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DELKO: You sure?

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Because the door never fully closed.

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(laughs): Oh, please.

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I would never kill someone over a Regional.

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(knocking) Sweetie, I need to leave the room for a minute, okay?

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Please don't leave.

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How about this?

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Do you see that mirror right there?

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It's actually a window.

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And I'm just gonna be on the other side of it, and I can see you the whole time.

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But I won't be able to see you.

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That's a good point.

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I'll tell you what.

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Why don't you hold my necklace for me, okay?

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Okay.

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It's very delicate.

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This way you'll know I'll be right back.

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It matches your shirt.

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Thank you.

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Medically, Melrose appears to be unharmed.

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Thank goodness. But I think she knows more than she understands.

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Do you think she witnessed the murder?

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I can't say for sure.

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I'd like to revisit this morning's events with her.

253
00:16:18,000 --> 00:16:20,000
Melrose?

254
00:16:22,000 --> 00:16:25,000
My job is to listen to kids.

255
00:16:25,000 --> 00:16:30,000
And today, my job is to listen to you.

256
00:16:30,000 --> 00:16:33,000
Okay.

257
00:16:33,000 --> 00:16:35,000
Now, I have some rules.

258
00:16:35,000 --> 00:16:40,000
If I ask you a question, and you don't know, just say, "I don't know."

259
00:16:40,000 --> 00:16:41,000
Think you can do that?

260
00:16:41,000 --> 00:16:44,000
Mm-hmm.

261
00:16:44,000 --> 00:16:46,000
Okay.

262
00:16:47,000 --> 00:16:49,000
Now, what's my favorite color?

263
00:16:51,000 --> 00:16:54,000
I don't know.

264
00:16:54,000 --> 00:16:56,000
That's exactly right.

265
00:16:56,000 --> 00:17:00,000
You don't know my favorite color, so, "I don't know"

266
00:17:00,000 --> 00:17:03,000
is the right thing to say.

267
00:17:06,000 --> 00:17:11,000
What do you remember about the last time you saw your mommy today?

268
00:17:16,000 --> 00:17:18,000
She fell down.

269
00:17:24,000 --> 00:17:26,000
And then what happened?

270
00:17:27,000 --> 00:17:31,000
I got scared, and I closed the door.

271
00:17:31,000 --> 00:17:33,000
To the bathroom?

272
00:17:42,000 --> 00:17:44,000
(door squeaking)

273
00:17:49,000 --> 00:17:51,000
And then I did my makeup.

274
00:17:51,000 --> 00:17:58,000
Did someone say angry words to your mommy before she fell?

275
00:18:00,000 --> 00:18:02,000
I don't know.

276
00:18:03,000 --> 00:18:06,000
Did anyone hurt your mommy?

277
00:18:16,000 --> 00:18:18,000
Do you know who that person was?

278
00:18:18,000 --> 00:18:20,000
It was Hoppa.

279
00:18:25,000 --> 00:18:27,000
Tripp, it's Calleigh.

280
00:18:27,000 --> 00:18:29,000
I need you to bring in Melrose's father.

281
00:18:37,000 --> 00:18:44,000
(siren blaring) Have a seat, Mr. Gramercy.

282
00:18:44,000 --> 00:18:46,000
Sit.

283
00:18:46,000 --> 00:18:48,000
What's going on?

284
00:18:48,000 --> 00:18:53,000
CAINE: This year, you and your wife spent $60,000 on the pageants.

285
00:18:53,000 --> 00:18:56,000
That's more than half the annual income from your garage.

286
00:18:56,000 --> 00:18:58,000
You-You checked our tax returns?

287
00:18:58,000 --> 00:19:02,000
You wasted your hard-earned paycheck on tiaras and ball gowns for a six-year-old?

288
00:19:02,000 --> 00:19:04,000
Yeah, that has to be a little aggravating.

289
00:19:04,000 --> 00:19:06,000
I wasn't happy about it.

290
00:19:06,000 --> 00:19:08,000
You ever fight about it?

291
00:19:08,000 --> 00:19:10,000
Occasionally.

292
00:19:10,000 --> 00:19:12,000
Did it ever get ugly?

293
00:19:12,000 --> 00:19:15,000
(scoffs) You think I killed Suzanne.

294
00:19:15,000 --> 00:19:20,000
You told us the last time you saw her That's right. That's a lie.

295
00:19:20,000 --> 00:19:22,000
Your daughter put you in your wife's room several hours later.

296
00:19:22,000 --> 00:19:24,000
She also said that you hurt Suzanne.

297
00:19:27,000 --> 00:19:30,000
I thought Melrose was asleep.

298
00:19:31,000 --> 00:19:34,000
Can you please tell me why my credit card was denied today?

299
00:19:34,000 --> 00:19:35,000
I canceled it.

300
00:19:35,000 --> 00:19:37,000
What?

301
00:19:37,000 --> 00:19:41,000
How is Melrose gonna win this pageant without the Deluxe Confetti Avalanche at the end of her runway strut?

302
00:19:41,000 --> 00:19:45,000
$250 for a bunch of cut-up paper.

303
00:19:45,000 --> 00:19:47,000
They are flower petals.

304
00:19:47,000 --> 00:19:50,000
I can buy 20 of these for $250.

305
00:19:50,000 --> 00:19:54,000
Well, you obviously don't care about making your daughter happy.

306
00:19:54,000 --> 00:20:00,000
(sighs) LARRY: I had no idea \h she heard all that.

307
00:20:01,000 --> 00:20:03,000
How far did you take it?

308
00:20:03,000 --> 00:20:05,000
I raised my voice.

309
00:20:05,000 --> 00:20:08,000
That's it.

310
00:20:14,000 --> 00:20:17,000
♪ ♪ DUQUESNE: Are these the tapes from the sizzle reel?

311
00:20:17,000 --> 00:20:19,000
All 263 of them.

312
00:20:19,000 --> 00:20:21,000
Hmm.

313
00:20:21,000 --> 00:20:24,000
Okay, let's pull up all the images of Suzanne Gramercy.

314
00:20:24,000 --> 00:20:28,000
If this was, in fact, a premeditated murder, maybe we can catch someone on tape stalking her.

315
00:20:28,000 --> 00:20:35,000
Okay. (tape squealing) And there's Suzanne in the lobby.

316
00:20:39,000 --> 00:20:42,000
Hey, Ryan, why do all these images have snow around them?

317
00:20:42,000 --> 00:20:43,000
Do you see that?

318
00:20:43,000 --> 00:20:48,000
Oh, when the videotape is paused or freeze-framed, the tape gets damaged.

319
00:20:48,000 --> 00:20:51,000
So, are you telling me that people have reviewed these tapes and paused where these images are?

320
00:20:51,000 --> 00:20:54,000
Yeah. Can you find other artifacts?

321
00:20:54,000 --> 00:20:56,000
Yeah, sure.

322
00:21:00,000 --> 00:21:03,000
It's every image of Suzanne Gramercy.

323
00:21:03,000 --> 00:21:06,000
It's as if the person is studying her.

324
00:21:06,000 --> 00:21:09,000
Wait. So, you're thinking that the killer had access to these tapes?

325
00:21:09,000 --> 00:21:11,000
Maybe.

326
00:21:11,000 --> 00:21:16,000
Well, here's Suzanne right here-- no artifact.

327
00:21:16,000 --> 00:21:21,000
Ryan, see if you can find an image of Melrose without Suzanne in it.

328
00:21:21,000 --> 00:21:22,000
All right.

329
00:21:22,000 --> 00:21:25,000
(tape squealing) There's one of her alone.

330
00:21:25,000 --> 00:21:27,000
Look at how blurry it becomes.

331
00:21:27,000 --> 00:21:30,000
I'm starting to think the focus wasn't on Suzanne.

332
00:21:30,000 --> 00:21:32,000
(dials phone) No. I think our killer was after Melrose.

333
00:21:32,000 --> 00:21:34,000
Maybe Suzanne died protecting her daughter.

334
00:21:34,000 --> 00:21:36,000
Eric: Yeah?

335
00:21:36,000 --> 00:21:37,000
Hey, it's me.

336
00:21:37,000 --> 00:21:39,000
Listen, do you know where Melrose Gramercy is?

337
00:21:39,000 --> 00:21:41,000
She's here in MDPD with her father.

338
00:21:41,000 --> 00:21:43,000
Keep an eye on her for me, would you?

339
00:21:43,000 --> 00:21:45,000
You know what I say when it comes to kids?

340
00:21:45,000 --> 00:21:47,000
Yeah. Trust no one. I know.

341
00:21:47,000 --> 00:21:48,000
WOLFE: Calleigh?

342
00:21:48,000 --> 00:21:50,000
Hang on, Eric. What?

343
00:21:50,000 --> 00:21:52,000
Take a look at this. I found another artifact.

344
00:21:52,000 --> 00:21:55,000
Melrose wasn't the only little girl being watched.

345
00:21:55,000 --> 00:21:57,000
This one, too.

346
00:21:57,000 --> 00:21:58,000
Oh, my God.

347
00:21:58,000 --> 00:22:01,000
Eric, get to Tori Haverford's room right away.

348
00:22:01,000 --> 00:22:03,000
I think she's our killer's next target.

349
00:22:03,000 --> 00:22:05,000
All right. Hey, watch her.

350
00:22:05,000 --> 00:22:07,000
Don't take your eyes off of her.

351
00:22:09,000 --> 00:22:11,000
(sirens wailing)

352
00:22:17,000 --> 00:22:19,000
Tori! Tori! Mrs. Haverford!

353
00:22:19,000 --> 00:22:20,000
What is it? What's going on?

354
00:22:20,000 --> 00:22:22,000
Where's Tori? Where's your daughter?

355
00:22:22,000 --> 00:22:23,000
She's in the room, napping.

356
00:22:23,000 --> 00:22:26,000
Open the door. Open the door now.

357
00:22:26,000 --> 00:22:28,000
Tori! Tori?

358
00:22:28,000 --> 00:22:30,000
Stay back. Stay back!

359
00:22:30,000 --> 00:22:31,000
Tori!

360
00:22:31,000 --> 00:22:32,000
Where's my daughter?

361
00:22:32,000 --> 00:22:33,000
Tori! Tori?

362
00:22:33,000 --> 00:22:35,000
Tori?! She's not here.

363
00:22:35,000 --> 00:22:37,000
She was sleeping in that bed ten minutes...

364
00:22:37,000 --> 00:22:39,000
Well, she's not here right now, okay?

365
00:22:39,000 --> 00:22:40,000
Please, where is she?!

366
00:22:40,000 --> 00:22:42,000
Tori! Tori!

367
00:22:42,000 --> 00:22:47,000
We're gonna find her. (dials phone) This is CSI Eric Delko.

368
00:22:47,000 --> 00:22:53,000
I have a critical missing: Tori Haverford, six years old, \h brown hair, green eyes.

369
00:22:53,000 --> 00:22:56,000
She was last seen at \h the Casa Bena Hotel, room 107.

370
00:22:56,000 --> 00:22:59,000
Send search-and-rescue \h dogs here.

371
00:22:59,000 --> 00:23:00,000
We've got a missing girl.

372
00:23:00,000 --> 00:23:03,000
I need an Amber alert \h put out right away.

373
00:23:05,000 --> 00:23:07,000
I don't understand.

374
00:23:07,000 --> 00:23:11,000
Just 'cause I organized the pageant, you think I know where Tori is?

375
00:23:11,000 --> 00:23:13,000
They are your promotional tapes.

376
00:23:13,000 --> 00:23:15,000
Whoever watched them was targeting Tori.

377
00:23:15,000 --> 00:23:19,000
So, who had access?

378
00:23:19,000 --> 00:23:20,000
You think that I'm somehow responsible?

379
00:23:20,000 --> 00:23:22,000
Did you give someone the tapes?

380
00:23:22,000 --> 00:23:24,000
Oh, so ridiculous!

381
00:23:24,000 --> 00:23:26,000
You know what I'm doing? I'm calling my lawyer.

382
00:23:26,000 --> 00:23:32,000
Great. In fact, I will scroll through your contacts myself, because I'm sure whoever you let watch the tape is in here.

383
00:23:32,000 --> 00:23:34,000
You know you have no right.

384
00:23:34,000 --> 00:23:35,000
I have probable cause.

385
00:23:43,000 --> 00:23:46,000
DARLA: I am focused.

386
00:23:46,000 --> 00:23:47,000
You sure?

387
00:23:47,000 --> 00:23:49,000
Oh, I'm sure.

388
00:23:49,000 --> 00:23:51,000
I'm sure you're gonna like this.

389
00:23:51,000 --> 00:23:53,000
I can't wait to see it.

390
00:23:53,000 --> 00:23:56,000
(Darla laughs) Who's a pretty girl?

391
00:23:56,000 --> 00:24:03,000
♪ Head and shoulders, knees and toes. ♪ Oh, my God.

392
00:24:03,000 --> 00:24:07,000
(people cheering) It's your husband.

393
00:24:07,000 --> 00:24:09,000
You're helping him.

394
00:24:09,000 --> 00:24:13,000
Where's your husband, Darla?

395
00:24:13,000 --> 00:24:15,000
Where did he take Tori?

396
00:24:15,000 --> 00:24:20,000
Sweetie, this is where I insist on a lawyer...

397
00:24:20,000 --> 00:24:23,000
right now.

398
00:24:23,000 --> 00:24:25,000
(sirens wailing)

399
00:24:28,000 --> 00:24:31,000
(tires squeal)

400
00:24:43,000 --> 00:24:46,000
OFFICER: Edwin Chambers! MDPD!

401
00:25:00,000 --> 00:25:01,000
BOA VISTA: Clear. It's empty.

402
00:25:01,000 --> 00:25:03,000
DELKO: H!

403
00:25:03,000 --> 00:25:05,000
Listen, I found something in the backyard.

404
00:25:05,000 --> 00:25:06,000
You need to see it.

405
00:25:10,000 --> 00:25:14,000
The yard, it looks like it ends here, but it doesn't.

406
00:25:31,000 --> 00:25:33,000
What is this?

407
00:25:44,000 --> 00:25:48,000
(flies buzzing) This is set up for a little girl.

408
00:25:49,000 --> 00:25:51,000
It's a jail cell.

409
00:25:58,000 --> 00:26:00,000
This is Tori's.

410
00:26:01,000 --> 00:26:04,000
She was here.

411
00:26:04,000 --> 00:26:06,000
So where is she now?

412
00:26:21,000 --> 00:26:25,000
Okay, how about if I take the house and you take the tent?

413
00:26:25,000 --> 00:26:29,000
Yeah, there should be something in there that will lead us to where he took Tori.

414
00:26:29,000 --> 00:26:31,000
Oh, no, Tori's mom's here.

415
00:26:31,000 --> 00:26:33,000
I'll go take care of it.

416
00:26:36,000 --> 00:26:38,000
OFFICER: I'm sorry, ma'am. You can't pass. Excuse me.

417
00:26:38,000 --> 00:26:40,000
What are you doing here?! I had to come here.

418
00:26:40,000 --> 00:26:42,000
I need to know... My baby!

419
00:26:42,000 --> 00:26:44,000
No, no, no, no. Tori is not here.

420
00:26:44,000 --> 00:26:46,000
That's just evidence.

421
00:26:46,000 --> 00:26:47,000
She's not here. We're still looking for her.

422
00:26:47,000 --> 00:26:48,000
You don't understand.

423
00:26:48,000 --> 00:26:50,000
She's never spent the night without me.

424
00:26:50,000 --> 00:26:51,000
I need to do something.

425
00:26:51,000 --> 00:26:54,000
Well, what you can do is you can give me the pictures that we asked you for earlier.

426
00:26:54,000 --> 00:26:56,000
That would be very helpful.

427
00:26:56,000 --> 00:26:57,000
Oh.

428
00:27:07,000 --> 00:27:13,000
Mrs. Haverford, this is not what Tori looks like right now.

429
00:27:13,000 --> 00:27:18,000
Do you have a picture of your little girl that your little girl actually looks like?

430
00:27:20,000 --> 00:27:22,000
Is this okay?

431
00:27:25,000 --> 00:27:27,000
This is perfect. Thank you.

432
00:27:27,000 --> 00:27:29,000
I-I just...

433
00:27:29,000 --> 00:27:32,000
This is my fault, isn't it?

434
00:27:32,000 --> 00:27:34,000
I put her on display.

435
00:27:34,000 --> 00:27:38,000
I'll be honest. It-it made it easier.

436
00:27:38,000 --> 00:27:41,000
But you're not the criminal here.

437
00:27:41,000 --> 00:27:42,000
The person who took her is.

438
00:27:42,000 --> 00:27:45,000
And I promise you we are doing everything that we can.

439
00:27:45,000 --> 00:27:46,000
I promise you.

440
00:27:55,000 --> 00:27:58,000
♪ ♪

441
00:28:16,000 --> 00:28:18,000
♪ ♪

442
00:28:46,000 --> 00:28:48,000
♪ ♪

443
00:28:53,000 --> 00:28:59,000
Jan, we found your fingerprints on this box at the Chambers' house.

444
00:28:59,000 --> 00:29:02,000
Oh, well, that's impossible.

445
00:29:02,000 --> 00:29:03,000
I was never there.

446
00:29:05,000 --> 00:29:06,000
Jan...

447
00:29:06,000 --> 00:29:09,000
it was your fingerprint.

448
00:29:09,000 --> 00:29:11,000
But it was smaller...

449
00:29:11,000 --> 00:29:13,000
like a child's.

450
00:29:16,000 --> 00:29:20,000
Please... I just don't want to talk about it.

451
00:29:20,000 --> 00:29:22,000
DUQUESNE: What is it, Jan?

452
00:29:22,000 --> 00:29:25,000
Did-Did Edward Chambers kidnap you when you were little?

453
00:29:25,000 --> 00:29:29,000
It's vague and it's mixed up.

454
00:29:29,000 --> 00:29:31,000
I just don't know what happened.

455
00:29:31,000 --> 00:29:40,000
(music box plays lullaby) DELKO: Jan, anything you can remember \h may help lead us to Tori.

456
00:29:41,000 --> 00:29:43,000
(girl screams)

457
00:29:46,000 --> 00:29:48,000
I can't remember.

458
00:29:50,000 --> 00:29:53,000
I'm so sorry. I just can't.

459
00:29:53,000 --> 00:29:57,000
CAINE: So, you and your husband used the pageants as a hunting ground.

460
00:29:57,000 --> 00:29:59,000
LAWYER: Save the accusations, Lieutenant.

461
00:29:59,000 --> 00:30:02,000
My client was a victim of Edwin Chambers as well.

462
00:30:02,000 --> 00:30:03,000
He would have killed me.

463
00:30:05,000 --> 00:30:06,000
I'm a survivor.

464
00:30:06,000 --> 00:30:10,000
Yes. Have the State Attorney grant her immunity and she'll cooperate.

465
00:30:10,000 --> 00:30:13,000
A six-year-old girl is missing, and you're working for a deal.

466
00:30:14,000 --> 00:30:18,000
I've seen the video of the girls on your phone.

467
00:30:18,000 --> 00:30:21,000
Do you know what they do to a pedophile in prison?

468
00:30:21,000 --> 00:30:22,000
Don't listen to him, Darla.

469
00:30:22,000 --> 00:30:24,000
They're gonna tear you into little pieces.

470
00:30:25,000 --> 00:30:28,000
Where is your husband?

471
00:30:32,000 --> 00:30:36,000
There's a place that he likes to go on Tuesday afternoon.

472
00:30:36,000 --> 00:30:37,000
Tuesday afternoon.

473
00:30:37,000 --> 00:30:39,000
Where would that be?

474
00:30:39,000 --> 00:30:41,000
I don't know, I don't know.

475
00:30:41,000 --> 00:30:43,000
It's his private place.

476
00:30:46,000 --> 00:30:50,000
I think Edwin Chambers left these smudges on the murder weapon. I'll run an analysis.

477
00:30:50,000 --> 00:30:53,000
Maybe it'll lead us to where he's keeping Tori.

478
00:30:53,000 --> 00:30:55,000
Hold on a second.

479
00:30:59,000 --> 00:31:00,000
These marks weren't there before.

480
00:31:00,000 --> 00:31:03,000
OWENS: Is it makeup?

481
00:31:05,000 --> 00:31:07,000
Mmm.

482
00:31:07,000 --> 00:31:11,000
Well, we found this tanning gun at the crime scene, so my guess is that it's bronzer.

483
00:31:11,000 --> 00:31:14,000
Bronzer darkens over time, which is why we haven't seen it till now.

484
00:31:14,000 --> 00:31:16,000
Yeah, Wolfe, but how is that even possible?

485
00:31:16,000 --> 00:31:22,000
DHA darkens skin cells \h by reacting with its amino acids \h and proteins.

486
00:31:22,000 --> 00:31:23,000
This is cotton.

487
00:31:23,000 --> 00:31:25,000
It's the sweat in the lining.

488
00:31:25,000 --> 00:31:28,000
It contains a protein which reacts with DHA.

489
00:31:30,000 --> 00:31:38,000
(mutters) (dialing tones) (phone rings) Loman.

490
00:31:38,000 --> 00:31:41,000
Hey, Doc, it's Walter.

491
00:31:41,000 --> 00:31:43,000
Are you close to Suzanne Gramercy's body? LOMAN: Yes.

492
00:31:43,000 --> 00:31:45,000
Could you check it out for me? Sure. Do you know where?

493
00:31:45,000 --> 00:31:47,000
Uh-huh, her hands. Okay.

494
00:31:47,000 --> 00:31:49,000
Does it look like she's been using bronzer?

495
00:31:50,000 --> 00:31:56,000
Her right hand does have some dark markings on it.

496
00:31:56,000 --> 00:31:58,000
Honestly, I don't know how I could have missed this earlier.

497
00:31:58,000 --> 00:31:59,000
Not even your fault.

498
00:31:59,000 --> 00:32:02,000
Don't worry about it. They're just starting to show now.

499
00:32:02,000 --> 00:32:04,000
(phone rings)

500
00:32:07,000 --> 00:32:08,000
Do you need me?

501
00:32:08,000 --> 00:32:09,000
SIMMONS: Hey, hey...

502
00:32:09,000 --> 00:32:10,000
are you with Melrose right now?

503
00:32:10,000 --> 00:32:12,000
What do you need?

504
00:32:12,000 --> 00:32:15,000
Does it look like there was bronzer applied to her?

505
00:32:15,000 --> 00:32:21,000
It does on half her neck, her arms and her hands.

506
00:32:21,000 --> 00:32:23,000
SIMMONS: Mmm-hmm, back of her hands?

507
00:32:23,000 --> 00:32:24,000
DUQUESNE: Yes.

508
00:32:24,000 --> 00:32:26,000
Is this important?

509
00:32:26,000 --> 00:32:27,000
Maybe. Uh, I'm working a theory here.

510
00:32:27,000 --> 00:32:29,000
I'll get back with you. Thanks.

511
00:32:29,000 --> 00:32:33,000
So, uh, what's up?

512
00:32:33,000 --> 00:32:36,000
Suzanne had to be murdered while she was applying bronzer to Melrose.

513
00:32:38,000 --> 00:32:41,000
Okay, so you're saying that her attacker would also have bronzer residue?

514
00:32:41,000 --> 00:32:43,000
No, no, you're totally missing the point.

515
00:32:43,000 --> 00:32:45,000
Look at the crown's lining.

516
00:32:46,000 --> 00:32:48,000
There's voids in the bronzer.

517
00:32:49,000 --> 00:32:50,000
WOLFE: Oh, yeah.

518
00:32:50,000 --> 00:32:53,000
They're too small to be fingers.

519
00:32:53,000 --> 00:32:55,000
Unless...

520
00:32:55,000 --> 00:32:58,000
We're not talking about adult fingers.

521
00:33:01,000 --> 00:33:03,000
(sighs)

522
00:33:06,000 --> 00:33:08,000
Sweetie, will you...

523
00:33:08,000 --> 00:33:11,000
just hold this for me?

524
00:33:28,000 --> 00:33:31,000
Do you want to talk about it?

525
00:33:32,000 --> 00:33:34,000
Come here.

526
00:33:34,000 --> 00:33:36,000
It's okay.

527
00:33:36,000 --> 00:33:38,000
It wasn't your fault.

528
00:33:39,000 --> 00:33:40,000
What's going on?

529
00:33:40,000 --> 00:33:42,000
Daddy...

530
00:33:45,000 --> 00:33:48,000
There's a reason why Melrose saw your wife fall.

531
00:33:48,000 --> 00:33:50,000
What's that mean?

532
00:33:50,000 --> 00:33:54,000
I made Mommy fall down.

533
00:33:54,000 --> 00:33:56,000
Oh...

534
00:33:56,000 --> 00:34:00,000
(loud whirring) Melrose, stop jumping around.

535
00:34:00,000 --> 00:34:02,000
Stop!

536
00:34:02,000 --> 00:34:04,000
You are not behaving like a winner.

537
00:34:04,000 --> 00:34:06,000
Don't you want to win?

538
00:34:06,000 --> 00:34:07,000
No!

539
00:34:07,000 --> 00:34:08,000
It's stinky!

540
00:34:08,000 --> 00:34:09,000
Melrose...

541
00:34:09,000 --> 00:34:12,000
Don't you want to win another one of these?

542
00:34:12,000 --> 00:34:15,000
(mutters) Now, let me make you pretty!

543
00:34:15,000 --> 00:34:21,000
(yells) (groans) I don't want to be pretty!

544
00:34:23,000 --> 00:34:25,000
Melrose Princess Gramercy!

545
00:34:25,000 --> 00:34:27,000
Melrose Princess Gramercy!

546
00:34:27,000 --> 00:34:31,000
(squeals) (squishing, scream)

547
00:34:35,000 --> 00:34:38,000
(cheering in distance)

548
00:34:41,000 --> 00:34:45,000
I didn't mean to hurt her.

549
00:34:45,000 --> 00:34:48,000
Oh, hey, I know that.

550
00:34:48,000 --> 00:34:50,000
Hey...

551
00:34:50,000 --> 00:34:54,000
I know that. It's okay.

552
00:34:56,000 --> 00:34:58,000
What happens now?

553
00:34:58,000 --> 00:35:00,000
It was an accident, Larry.

554
00:35:00,000 --> 00:35:03,000
It was a tragic accident.

555
00:35:03,000 --> 00:35:05,000
We'll close the case.

556
00:35:15,000 --> 00:35:16,000
JAN: So you're sure?

557
00:35:16,000 --> 00:35:18,000
Melrose isn't in trouble?

558
00:35:18,000 --> 00:35:19,000
No, she's not.

559
00:35:19,000 --> 00:35:21,000
But there's another little girl who's still out there.

560
00:35:22,000 --> 00:35:24,000
Look...

561
00:35:24,000 --> 00:35:27,000
I'm sorry. I wish I could help you.

562
00:35:27,000 --> 00:35:30,000
But I have no memory of who took me, or where. It's blank.

563
00:35:30,000 --> 00:35:37,000
I have a specialist here who may be able to work with you. (scoffs) God, what makes you think it would even work?

564
00:35:37,000 --> 00:35:38,000
I'm not sure it's going to work.

565
00:35:38,000 --> 00:35:41,000
But if it does, we can save this child.

566
00:35:46,000 --> 00:35:50,000
Look, you can ask me what he did to me a thousand times.

567
00:35:50,000 --> 00:35:52,000
I just can't remember.

568
00:35:52,000 --> 00:35:58,000
Your father says he remembers you went missing for a few hours during one of your pageants.

569
00:35:58,000 --> 00:36:00,000
Do you remember that?

570
00:36:04,000 --> 00:36:06,000
That time I got lost.

571
00:36:06,000 --> 00:36:09,000
It's like shock therapy.

572
00:36:09,000 --> 00:36:11,000
The doctor's trick is to not dwell on the perpetrator.

573
00:36:11,000 --> 00:36:14,000
PORTER: When did you know you were going to be okay?

574
00:36:16,000 --> 00:36:18,000
When I saw my mom and dad.

575
00:36:19,000 --> 00:36:23,000
When you were lost, what did you see?

576
00:36:24,000 --> 00:36:27,000
It was dark.

577
00:36:28,000 --> 00:36:31,000
There was this little light.

578
00:36:31,000 --> 00:36:32,000
MAN: We'll have fun.

579
00:36:32,000 --> 00:36:34,000
JAN: It was... like a flicker.

580
00:36:34,000 --> 00:36:35,000
MAN: Please...

581
00:36:35,000 --> 00:36:37,000
JAN: And...

582
00:36:37,000 --> 00:36:41,000
I kept trying to move my hands, MAN: My special friend.

583
00:36:41,000 --> 00:36:45,000
JAN: But I couldn't, \h because they were tied.

584
00:36:45,000 --> 00:36:48,000
And he had these gloves.

585
00:36:48,000 --> 00:36:50,000
MAN: We'll have fun.

586
00:36:50,000 --> 00:36:53,000
White, fuzzy gloves.

587
00:36:54,000 --> 00:36:56,000
That doesn't sound like latex gloves.

588
00:36:56,000 --> 00:36:58,000
Gardening, maybe?

589
00:36:58,000 --> 00:37:02,000
PORTER: The room you were in, was it a house? No.

590
00:37:02,000 --> 00:37:03,000
It wasn't a house.

591
00:37:03,000 --> 00:37:05,000
MAN: My special friend...

592
00:37:05,000 --> 00:37:07,000
JAN: It was cold.

593
00:37:07,000 --> 00:37:08,000
And it smelled.

594
00:37:08,000 --> 00:37:09,000
Like what? Like...

595
00:37:09,000 --> 00:37:12,000
like butter, or...

596
00:37:12,000 --> 00:37:13,000
or oil.

597
00:37:13,000 --> 00:37:15,000
BOA VISTA: Butter or oil?

598
00:37:15,000 --> 00:37:17,000
Do you think that's... Popcorn.

599
00:37:17,000 --> 00:37:20,000
That would explain the butter smell.

600
00:37:20,000 --> 00:37:23,000
And Eric found popcorn stuck to candy wrappers at the Chambers' house.

601
00:37:23,000 --> 00:37:26,000
And what about the man that was with you?

602
00:37:28,000 --> 00:37:30,000
MAN: Quiet.

603
00:37:30,000 --> 00:37:33,000
The man... had this pet mouse.

604
00:37:33,000 --> 00:37:34,000
MAN: Quiet.

605
00:37:37,000 --> 00:37:39,000
JAN: But it wasn't like \h a normal mouse, it was...

606
00:37:39,000 --> 00:37:40,000
MAN: Will you be my friend?

607
00:37:40,000 --> 00:37:42,000
It was big.

608
00:37:44,000 --> 00:37:48,000
Do you recall anything else about that day?

609
00:37:49,000 --> 00:37:52,000
The man...

610
00:37:52,000 --> 00:37:54,000
he was looking through this little window.

611
00:37:54,000 --> 00:37:56,000
MAN: My special friend...

612
00:37:56,000 --> 00:37:59,000
JAN: There was this clicking noise.

613
00:37:59,000 --> 00:38:02,000
And I was trying to undo my ties.

614
00:38:03,000 --> 00:38:07,000
But I was scared, I was so scared that he was going to come back.

615
00:38:07,000 --> 00:38:10,000
Clicking could be a film projector.

616
00:38:10,000 --> 00:38:13,000
And maybe he was looking through a window in a projection booth.

617
00:38:13,000 --> 00:38:16,000
And projectionists wear gloves to protect the film.

618
00:38:16,000 --> 00:38:18,000
A movie theater.

619
00:38:20,000 --> 00:38:22,000
You did really good, honey.

620
00:38:24,000 --> 00:38:29,000
(film projector whirring, clicking) (whimpers)

621
00:38:37,000 --> 00:38:39,000
You're really going to like this movie.

622
00:38:46,000 --> 00:38:47,000
WOLFE: I went over Chambers' work history.

623
00:38:47,000 --> 00:38:52,000
There's no record of him being a projectionist, ticket taker, usher, candy vendor, nothing.

624
00:38:52,000 --> 00:38:54,000
Really?

625
00:38:54,000 --> 00:38:56,000
So then why a theater?

626
00:38:56,000 --> 00:38:59,000
These are all the theaters in the area? Mm-hmm.

627
00:38:59,000 --> 00:39:02,000
In a 20-mile radius of the Chambers' house.

628
00:39:06,000 --> 00:39:09,000
There were two movies with cartoon mice out ten years ago.

629
00:39:09,000 --> 00:39:11,000
These are the screens they played on.

630
00:39:11,000 --> 00:39:13,000
I don't get it. How would you hide a child during work hours?

631
00:39:13,000 --> 00:39:15,000
It would be hard, right? Yeah.

632
00:39:15,000 --> 00:39:17,000
Wait. Wait, wait, wait.

633
00:39:17,000 --> 00:39:18,000
What?

634
00:39:18,000 --> 00:39:20,000
Chambers' wife told Horatio he went to a...

635
00:39:20,000 --> 00:39:22,000
special place on Tuesdays.

636
00:39:22,000 --> 00:39:25,000
Okay.

637
00:39:25,000 --> 00:39:27,000
That one. It's closed on Tuesdays.

638
00:39:27,000 --> 00:39:30,000
Yeah, that's it. That's where he's got Tori. Thanks.

639
00:39:30,000 --> 00:39:34,000
Horatio. Yeah, I got an address.

640
00:39:34,000 --> 00:39:36,000
(siren wails)

641
00:39:42,000 --> 00:39:50,000
(zany cartoon music plays) (sobbing) So how's my sweet little friend?

642
00:39:50,000 --> 00:39:52,000
This is playtime.

643
00:39:52,000 --> 00:39:53,000
Okay?

644
00:39:53,000 --> 00:39:58,000
I'm going to undo your chains, now, and we're going to play, okay?

645
00:39:58,000 --> 00:39:59,000
All my friends like to play.

646
00:39:59,000 --> 00:40:01,000
No. We'll have fun.

647
00:40:01,000 --> 00:40:02,000
No!

648
00:40:02,000 --> 00:40:04,000
No, let me go! It's time to play.

649
00:40:04,000 --> 00:40:06,000
You know what? You're so pretty when you cry.

650
00:40:30,000 --> 00:40:32,000
That's enough, I've had it.

651
00:40:32,000 --> 00:40:34,000
Everything stops right now. Right now!

652
00:40:34,000 --> 00:40:36,000
No, let me go! It's our special moment, Tori.

653
00:40:36,000 --> 00:40:38,000
(crying): No!

654
00:40:38,000 --> 00:40:39,000
Fine, just sit.

655
00:40:39,000 --> 00:40:41,000
I want Mommy.

656
00:40:41,000 --> 00:40:43,000
I'll be right back.

657
00:40:43,000 --> 00:40:47,000
CARTOON CHARACTER: The thing is... I don't mean to.

658
00:40:47,000 --> 00:40:54,000
It's just that bad luck follows me around wherever I go.

659
00:40:54,000 --> 00:40:57,000
MIGHTY MOUSE: Bad luck? Is that all?

660
00:40:57,000 --> 00:40:59,000
Man, listen to what you're saying...

661
00:40:59,000 --> 00:41:03,000
My special friend took me here when I was your age.

662
00:41:03,000 --> 00:41:05,000
I brought you some treats.

663
00:41:07,000 --> 00:41:10,000
Now, I'm going to ask you one last time...

664
00:41:10,000 --> 00:41:13,000
will you be my friend?

665
00:41:13,000 --> 00:41:15,000
No.

666
00:41:15,000 --> 00:41:16,000
I want to be your friend.

667
00:41:20,000 --> 00:41:22,000
CAINE: Get away from that girl.

668
00:41:22,000 --> 00:41:24,000
No, no, no! No!

669
00:41:24,000 --> 00:41:26,000
CAINE: Edwin...

670
00:41:26,000 --> 00:41:31,000
(sobs) You let me out of here, right now, or she gets it.

671
00:41:31,000 --> 00:41:33,000
(whimpers) Right now!

672
00:41:33,000 --> 00:41:34,000
I mean it! I will kill her!

673
00:41:34,000 --> 00:41:37,000
(sobs) Edwin...

674
00:41:37,000 --> 00:41:39,000
That's not necessary.

675
00:41:40,000 --> 00:41:42,000
You know what, Edwin? Go ahead.

676
00:41:44,000 --> 00:41:46,000
Go. Go!

677
00:41:49,000 --> 00:41:51,000
Stay with the girl.

678
00:41:51,000 --> 00:41:52,000
I got her.

679
00:41:52,000 --> 00:41:54,000
Are you okay, sweetheart?

680
00:41:54,000 --> 00:41:55,000
He didn't hurt you, did he?

681
00:41:55,000 --> 00:41:59,000
CARTOON CHARACTER: What's going on here?

682
00:41:59,000 --> 00:42:00,000
Edwin...

683
00:42:00,000 --> 00:42:07,000
(gunshots) (gasping) Am I gonna get shot?

684
00:42:07,000 --> 00:42:09,000
You are not going to get shot. You are going to be fine, okay?

685
00:42:09,000 --> 00:42:11,000
I promise I am going to make sure that you're safe.

686
00:42:11,000 --> 00:42:13,000
Did you see where he put the key?

687
00:42:13,000 --> 00:42:14,000
No.

688
00:42:14,000 --> 00:42:16,000
Oh, I got it. I got it. I got it.

689
00:42:16,000 --> 00:42:20,000
This is a little trick that I learned a long time ago.

690
00:42:20,000 --> 00:42:21,000
All right.

691
00:42:22,000 --> 00:42:24,000
That's far enough, Edwin!

692
00:42:28,000 --> 00:42:35,000
(grunting) Here we go. We got it, we got it.

693
00:42:35,000 --> 00:42:36,000
You're all right, sweetie.

694
00:42:36,000 --> 00:42:38,000
(whimpers) Okay.

695
00:42:38,000 --> 00:42:40,000
Sweetie, come here with me.

696
00:42:40,000 --> 00:42:43,000
I want Mommy. I got you, baby, I got you.

697
00:42:46,000 --> 00:42:49,000
(grunting) I'm sorry, okay?

698
00:42:49,000 --> 00:42:52,000
I can change, I know I can.

699
00:42:52,000 --> 00:42:54,000
None of us changes that much.

700
00:42:54,000 --> 00:42:58,000
(Edwin grunts) I think you're going to fall.

701
00:42:58,000 --> 00:43:00,000
Then you gotta help me!

702
00:43:01,000 --> 00:43:03,000
Do I?

703
00:43:03,000 --> 00:43:05,000
Ah! Come on!

704
00:43:06,000 --> 00:43:14,000
(screaming) (crash) (zany cartoon music playing)

705
00:43:17,000 --> 00:43:25,000
Captioning sponsored by\h CBS C.S.I. PRODUCTIONS

706
00:43:30,000 --> 00:43:33,000
Captioned by Media Access Group at WGBH\h access.wgbh.org